Ann
Li

Letters

Materials:
Digital epistolary performance

Sushi Mukbang

2021

Materials:
Inkjet face on printer paper, decoupage on foam to create “sushi”, decoupage on upcycled drink cans/chopsticks/table top to create set; stop motion video

The Object is Present

Ouroboros ("不言" is my middle name, but as I lay my yellow head on the cuttingboard I am delirious against the silence)

2020

Materials:
series of 3 digital collages, digital self-portrait photography

12 in × 12 in

You’ve taken my face, what more could you want?

2020

Materials:
inkjet face on printer paper, painter’s tape, digital self portrait photography Instagram performance (series 3/3)

5 in × 4 in

Neverland/anno domini 3/23/2020

Materials:
digital illustration, stop motion, vocal recordings Recordings pulled from DSM-5 296.20-296.36//{this time it tastes like grief} (2020 poetic nonfiction), and Neverland (2019 poetic nonfiction)

Fetus

2019

Materials:
tempera paint on body, digital self-portrait photo collage

48 in × 36 in

Pieta

Materials:
tempera paint on body, digital self-portrait photo collage

36 in × 48 in

Untitled (Forms)

2019

Materials:
morph suit, tempera paint on body, digital self-portrait photo collage

36 in × 48 in

Model Minority

Materials:
tempera paint on head, found foam heads, digital self-portrait photo collage

48 in × 36 in

Artist Statement

“I heard somewhere once that to know what someone is afraid of losing, watch what they photograph. So let me take a selfie.”

Ann Li is an interdisciplinary digital media artist. Through self-portrait performance, autoethnography, installation, and stop-motion animation, her work orbits two spaces of mutual delirium: the internet, and her own psychology.

The work questions the ritual of self-sacrifice in an age where everyone’s a brand.

CC: I regret to inform you that I can no longer consent to the ritual slaughter of livestock…

Via the persona "CC" (@play_w_cc, 2014 – )a fake “influencer” with cannibalistic tendencies, who comes to the artist in a fever dream, only to steal away into the night with her face as she sleeps — Li uses social media performance on Instagram to critique the landscape of influencer culture from its own terrain. Unlike the artist, “CC” is ruthless: it is immune to the psychological pain of devouring oneself. Calmly, it eats its own flesh in the endless cycle of self-commodification on social media, in sushi “mukbangs” made from decoupage, in the feeling of unraveling and raveling again and again, until it finally games the algorithm.

She grew up Chinese American on the east coast.
She (just) completed her MFA (‘21) from California College of the Arts –where she was the recipient of the 2020 Ginny Kleker Award, the 2021 Thesis Prize, and the 2021 Barclay Simpson Award. Her BFA is from Penn State.